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From:
R. Lim
To:
'idm@hyperreal.org'
Date:
Sun, 24 Oct 1999 16:00:32 -0400 (EDT)
Subject:
(idm) unmusic
Msg-Id:
<Pine.BSI.4.02.9910241543070.531-100000@escape.com>
In-Reply-To:
<2C61C8FFB164D311B0D500902786F104930215@SAGAN>
Mbox:
idm.9910.gz
On Thu, 30 Sep 1999, Philip Sherburne wrote:
quoted 3 lines (Carsten Nicolai tells a funny story about Francisco Lopez sending Bernhard> (Carsten Nicolai tells a funny story about Francisco Lopez sending Bernhard > Gunter a tape of some of his material... and Gunter calls him up and says, > "But the tape is blank!!") So much for IDM humor. True story, though.
Perhaps Lopez sent a copy of _Paris Hiss_, which contains two works entirely composed of successively overdubbed tape hiss (it exists only on cassette, natch). To quote from the liner notes (because I like them so much): "...Tape hiss, commonly considered as an obnoxious property of analog tapes, is thus enhanced and appreciated here as a delightful virtue. I did a selection and further mix of the recordings for the two pieces of _Paris Hiss_, since this work expresses my anti-Lucier view: the point is not the process but the results; I did what I did not because I'm interested in the procedure (which is a question of recipes), but because I like tape hiss! (which is a question of taste)..." Clearly, Sr. Lopez does not distinguish btwn the good and bad Lucier pieces... his loss, I guess. By the way, I made it through 10 excruciatingly uneventful minutes of the first piece of _Hiss_ before realizing that my Dolby NR was ON. -rob np (in my head)- Alvin Lucier "Silver Streetcar for the Orchestra" (Algen)